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Elizabeth Magill Exhibition

In collaboration with A Space for Art and Anthony Wilkinson Gallery
On view at Landsec's Lucent Building, Piccadilly, London
April - October 2024
L to R: Artist Bob and Roberta Smith, Artist Elizabeth Magill, Gallerist Anthony Wilkinson, Melissa
Installation view
Of
Installation view
Of (2)
Black Bay
Installation view
Installation View
Centre: Artist Angela de la Cruz
Installation view
Headland 2
L to R: Melissa Digby-Bell, Gallerist Tom Rowland, Gallerist Anthony Wilkinson, Artist Clare Burnett
Instalaltion view
Installation view
L to R: Curator Catsou Roberts, Melissa Digby-Bell, Toby Glanville & Hugo Glendinning
Installation view
Centre: Stephen Snoddy, Director of The New Art Gallery Walsall
Florian Simm, Paragon Press
Descend
Installation view
Elizabeth Magill
Installation view
L to R: Hugo Glendinning, Artist Julia Hamilton, Artist Elizabeth Magill, Florian Simm

Offshoot Arts are delighted to curate a superb collection of paintings by esteemed British artist Elizabeth Magill, in collaboration with Anthony Wilkinson Gallery and A Space for Art.

​The paintings are on view at the recently launched Lucent building - one of Landsec's flagship new buildings, directly under the world famous Piccadilly Lights in London.  Landsec are one of the largest real estate developers in Europe and Elizabeth's evocative and enigmatic approach to landscapes echo Landsec's commitment to design that is sustainable and celebrates the natural world. Responding to the brief of creating a space that nurtures a sense of calm and serenity amongst the urban chaos, the introduction of Elizabeth's work compliments the space and reinforces the client's aim of encompassing the natural environment in the building.

Magill’s paintings are enigmatic and evocative psychological takes on the traditional landscape genre. Rich with fragmented forms and kaleidoscopic patterning, the images are formed by Magill’s imagination, memories and photographs. The term ‘inscape’ has been used to describe Magill’s works - landscapes not conceived by direct observation but imbued with a sense of self and reflection. Though they have a cinematic beauty, her paintings are eerie and foreboding: trees or telephone wires conceal the view, birds flock in the night sky, silhouetted human figures against backdrops of hills, rocks and lakes and over everything there is intense and often lurid light. Recent paintings with their saturated hues and dark outlined forms convey an increasing sense of impending climate catastrophe. Her images are deeply rooted - as is her imagination – in the County Antrim coast of her childhood and the uneasy coexistence of a legendary landscape with a social history skewed by toxic political conflict.

 

Magill’s complex and densely layered paintings employ a multitude of techniques including screen- printing, stencilling and collage of images taken from photographs as well as the pouring, blending and dripping of paint. Film and photography are central to her work and imagery, infusing her approach to light, tone, and atmosphere.

 

Elizabeth Magill was born in Canada in 1959 and grew up in Northern Ireland. She studied fine art at Belfast College of Art (1979-82) and the Slade School of Fine Art in London (1982-84). Magill's work is represented in many museum and public collections worldwide including TATE; IMMA; Hugh Lane Gallery, Dublin; Arts Council Collection; The Arts Council of Ireland and Northern Ireland; Ulster Museum; British Museum, London; Towner Eastbourne; Worcester City Art Gallery and Museum; Southampton City Art Gallery; The New Art Gallery Walsall; Government Art Collection; The British Council; Sunderland Museum &Winter Gardens; National Gallery of Australia. Magill lives and works in London and Northern Ireland.


Elizabeth Magill is represented by Anthony Wilkinson Gallery and Annely Juda Fine Art, London.

Installation images courtesy of A Space for Art and Demelza Lightfoot Photography.

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